Valley of Rhymney
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0.0A Heart Set Free: Charles Wesley(en)
A biography of Charles Wesley, father of the Weselyan Church, hymn writer, and preacher.
0.0Is My Living In Vain(en)
Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.
0.0Lumière des hommes(fr)
Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.
0.0I Am With You - A Documentary on Carlo Acutis(en)
Filmed on location in Italy, this EWTN original documentary chronicles the life and witness of Blessed Carlo Acutis. It features photos, interviews, and recollections with family, friends, and others who knew him.
8.0The Power of Faith: The Incredible Journey Of Cowboy Preacher Jeff Smith(en)
He walked a hard path of addiction and trouble, until a moment of faith sparked a profound change. This is the raw story a working man's unconventional road to redemption and purpose.
0.0From Dust to Light(en)
Filmed In the heart of the mountainous villages of Greece and North Macedonia, the documentary follows a group of conservators of antiquities and works of art on their journey, with the goal of preserving Byzantine iconography. The dialogue between them and the hagiographers of the past comes to life.
0.0Wedding of Miss Carrie Alexander(xx)
The mayor's daughter gets hitched in style in the Kent market town.
Sex, Drugs & Religion(en)
A 71 minute look into the wacky world of religion. Targeting groups from Catholics to Baptists, this movie exposes the idiocy that is associated to religion in general. This is the fourth film release from B.A. Brooks and is quickly causing quite a stir in religious communities across the globe, while also hailing acclaim as a very entertaining, and insightful film experience.
6.7Believer(en)
Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change.
0.0A Passion for Churches(en)
Sir John Betjeman visits and explains the architecture of various churches in the Diocese of Norwich. Among those visited: Sandringham church on the Queen's private estate, the Holy House of Our Lady of Walsingham and Norwich Cathedral.
0.0Making Dust(en)
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
7.0Jesus Camp(en)
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
7.0The Fearless Freaks(en)
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
6.0Duutsers(nl)
How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?
6.2Keep Sweet(en)
“Keep Sweet” concerns the conflicts in two towns on opposite sides of a state line. The area of Hildale, Utah, and Colorado City, Ariz., was settled by members of a breakaway faction of the Church of Jesus Christ of Latter-day Saints that continued to practice polygamy after the church had banned it.
6.0My Body(it)
Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.




