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6.9Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.
6.7Guy Debord's analysis of a consumer society.
7.5For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
6.4Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
7.9Film icons and genre experts share observations, experiences, and analysis to help reframe, deconstruct, and re-contextualize the "lost" decade of horror: the '90s.
A group of friends hangs out at a bar, having fun and drinking beer.
7.3Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects.
0.0Michael Almereyda’s Paradise is a poignant and surprising sketchbook, a collection of brief episodes captured during a decade of travel. The film is marked by a sense of mystery, wonderment, and sly humor, reflecting a notion of life as a series of elusive, paradisiacal moments that are routinely taken for granted — and always slipping away.
7.9Thanks to new excavations in Mauritius and Madagascar, as well as archival and museum research in France, Spain, England and Canada, a group of international scholars paint a new portrait of the world of piracy in the Indian Ocean.
0.0As the gaze sinks into the landscape, a relationship disintegrates, leaving love as a fleeting memory between archives and dreams. The writing of the days is imprinted on traces that repeat themselves in a constant déjà vu. Pain becomes noise and dissolves like particles in the air, in an attempt to reconstruct the inevitable. A leap into the void between the desire to remain and the impulse to erase a wound.
Tomi Ungerer moves with his wife Yvonne from New York to Nova Scotia, to a small peninsula with a wooden fisherman's house and a few stables. This first of four documentaries that Adlon makes about the French artist and writer is a breakthrough - both for Ungerer, who becomes better known in Germany as a result, and for the filmmaker himself, who signs his first major work with it.
8.3Embark on an epic journey through time and faith with 'The Apocalypse of Saint John.' Join the Apostle John in a stunning visual narrative that unravels the visions of the End Times. Experience each vision like never before, with striking visual effects and epic scenes that immerse you in the apocalyptic narrative.
7.0The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.
6.2Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
7.2Heinz Stücke left Germany in 1962 with a bike, a tent and a goal: to see everything in the world. Now for the first time in 50 years, he's come home.
7.5The Specials don’t just write memorable songs - they soundtrack moments in history. This film explores how the band’s music was influenced by social, economic, and political events and how they have continued to shape contemporary music and popular culture internationally, with their message of unity and harmony in the face of ongoing political and social challenges.
3.0The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.