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Nomeolvides(es)
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First Day(fr)
Safia, a 25 year old policewoman, fulfills her dream and joins the prestigious 36 quai des Orfèvres (the headquarters of the criminal investigations department of the Parisian police) after 5 years of service in Clichy-sous-bois. On her very first day, totally out of the blue, she comes across a dangerous gangster who defies her ruthlessly.
Sound & Colour(en)
Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.
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Rachel(fr)
Like every weekend, nineteen-year-old student Rachel is babysitter to the two-year-old baby Hugo. When Hugo's single father has gone out for the night, Christine takes advantage of it to invite her good friend Christine.
World Wide Woven Bodies(no)
At the end of the 1990s the Internet comes to Northern Norway and coincides with the sexual awakening of young Mads (12). The introduction of pornographic images into his life complicates his relationship with his parents, and their house becomes a minefield filled with uncomfortable interactions.
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A street cat meets an old man that will change his life forever. Between bowls of milk and warm cuddles, he feels welcomed by his new owner, but the elderly gentleman has secrets of his own.
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When a woman is given the worst news of her life, she is faced with a decision: tell her family, or spare them and carry the burden herself.
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A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?
Artemide’s Knee(fr)
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
Impronta(es)
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