5.1A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
2.0Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.
7.8A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
8.0"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.
6.3The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.
6.2A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
5.9Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
8.0A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
0.0Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.
0.0One night, a supernatural figure emerges from the darkness to find a human who is grieving the death of his mother. As the figure watches closely, it soon discovers the value of human love and its strength to bring people together.
Cameraman Claude Gabriëls, well known for his work with Henri Storck and Paul Meyer, has made this beautiful evocation of a snowy day in Brussels.
0.0A girl encounters a doppelgänger and does everything she can to escape from it, in a Super 8 subtropic Experimental film shot with Kodak
0.0Six roommates share a cramped four bedroom apartment. One moves out. Another moves in. In the process, the precarious balance of their routines is comically disrupted.
0.0"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine."
6.1After being fired as a manager, a music mogul decides to start a boyband of his own in this spoof of popular boybands like *NSYNC and Backstreet Boys.
0.0Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likened to poetry. Brakhage explains his techniques and his motivation.
0.0All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
0.0A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social expressions.
8.3A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
7.3An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
7.8In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
7.6Woo-jin, a furniture designer who wakes up in a different body every day, falls for Yi-soo, a woman he meets through his work.
6.4Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey gets a late start due to some foul play by Pete, and that's not the only foul play.
6.2A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.
6.7While attending college in Cape Town, Melea Martin feels constrained by the school's strict policies, and decides to set out on her own. Searching for a way to use her talents as a dancer and inspire the community around her, Melea rents a failing theater in order to put on a Hip-Hop Romeo and Juliet performance. But much like the Capulets and Montagues, conflicts between cast members threaten to bring the whole performance to a halt...
6.9An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.
6.3Feeling awkward and isolated, an imaginative and strong-willed teenage girl runs away from home with an older punk rock drifter.
6.9A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
6.8BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
6.5A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.
7.6A documentary focused on plastic pollution in the world's oceans.
7.1Happy is a 2011 feature documentary film directed, written, and co-produced by Roko Belic. It explores human happiness through interviews with people from all walks of life in 14 different countries, weaving in the newest findings of positive psychology. Director Roko Belic was originally inspired to create the film after producer/director Tom Shadyac (Liar, Liar, Patch Adams, Bruce Almighty) showed him an article in the New York Times entitled "A New Measure of Well Being From a Happy Little Kingdom". The article ranks the United States as the 23rd happiest country in the world. Shadyac then suggested that Belic make a documentary about happiness. Belic spent several years interviewing over 20 people, ranging from leading happiness researchers to a rickshaw driver in Kolkatta, a family living in a "co-housing community" in Denmark, a woman who was run over by a truck, a Cajun fisherman, and more.
7.3A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
6.6At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he falls in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
6.4While training at the gym, 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in, she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
6.7As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
