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5.0A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
0.0Denver’s iconic and Grammy Award-winning musicians reveal the secrets of their success and longevity in the music business while warning the young lions to whom they pass the torch to stay relevant in a marketplace both treacherous and brutal. The majestic Rocky Mountains tower over a bustling metropolis filled with steamy and romantic nightclubs where jazz flourishes on stage. JazzTown features never seen before live concert footage on historic stages that have now crumbled due to economic stresses of the Covid Pandemic. ~ Dianne Reeves, 5-time Grammy Award winner for Best Jazz Vocalist ~ US Senator John Hickenlooper (former jazz club owner) ~ Ron Miles (Colorado Music Hall of Fame, Joshua Redman, Bill Frisell, Ginger Baker) ~ Charlie Hunter (Snarky Puppy, Christian McBride, Stanton Moore) ~ Art Lande (Mark Isham, Gary Peacock) ~ Ayo Awosika (Session Singer on Soundtracks to: Wakanda Forever, Nope, Dune, The Lion King ... tours with Miley Cyrus,) and many more.
0.0Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
2.0This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.
0.0Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
4.6In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
10.0On the eve of graduation, a high school student finds herself dealing with both college applications and an unfaithful boyfriend.
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
7.3Two different students—a successful but aloof academic and a rebellious but kindhearted delinquent—form a friendship through their love of jazz music.
6.0Ozzy, beset on all sides by the eccentricities of the artists around her, meets Jack, a city-dwelling forest sprite jazz singer. Together, they escape Dante's, the jazz club Ozzy manages, and losing herself, Ozzy finds something else.
Hubert Franier, an honest hospital extern, should never had got into trouble had he not been infatuated with Véra, a beautiful but stupid creature, who led him down the wrong path. Because of her and her friends, Hubert, who naively thought he was taking part in a practical joke, was actually a party to a car theft. Because of him, Monsieur Pierre, a good-natured caretaker, is in hospital. Racked with remorse, Hubert decides to hide from the police and finds refuge at his friend Louis'. Louis is a very sociable artist and his flat is the meeting place of many a colorful character. There, Hubert gets to know Candy, a Black American saxophonist, as well as Boubou, a Black little boy. He also meets Marie-Lou, a bar girl who dreams of becoming a nurse.
0.0Illinois Power Pop gods rock Chicago's Navy Pier during Chicagofest 1981. A monumental performance that solidified their standing as one of the USA's greatest Rock bands of all time.
6.0The multi-award-winning Finnish documentarian Mika Kaurismäki, brother of Aki Kaurismäki (The Man Without a Past), helms the nonfiction work Sonic Mirror -- a protracted exploration of rhythm as one of life's driving forces. Revered drummer Billy Cobham serves as host, taking the audience on a long musical journey around the world and through a myriad of musical genres and styles. Cobham, Kaurismäki, and co. segue from Western concert halls and stages to the music of African tribes performed by Brazilian street children to the distinct music of autistic patients. Along the way, the filmmakers raise serious questions about the function of music as an identifying force, a means of communication, and an emotional release; they also probe the enduring connections between group awareness and self-awareness. The film ultimately builds to a hugely affirming and cathartic expression of music as collective expression that unifies its performers in spirit.
7.2A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"
8.1Joe Gardner is a middle school teacher with a love for jazz music. After a successful audition at the Half Note Club, he suddenly gets into an accident that separates his soul from his body and is transported to the You Seminar, a center in which souls develop and gain passions before being transported to a newborn child. Joe must enlist help from the other souls-in-training, like 22, a soul who has spent eons in the You Seminar, in order to get back to Earth.
10.0Chicago comics talk about the trials and tribulations of developing their acts in the Windy City.
6.9Mike Veeck, son of MLB franchise owner Bill Veeck, blows up his father's career. Exiled from the game he loves, the younger Veeck spends the next few decades clawing his way up from rock bottom, determined to redeem himself.
0.0The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.