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Guessing Game(en)

The 1969 educational film *Guessing Game*, produced by the Encyclopaedia Britannica Educational Corporation, uses a split-screen technique to engage viewers. One side of the screen features pantomimists or children miming activities involving various objects, while the other side reveals the object being described. The film serves as an interactive and entertaining way to encourage observation and guessing skills.

La manzana(es)

Painted Gaze(en)

After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.

hands(en)

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Aishiteru(es)

Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.

I went away and forgot you. A while ago I remembered. I remembered I'd forgotten you. I was dreaming.(en)

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

House(ja)

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Nachtmaschine(en)

Night vs. light, music vs. motion, figuration vs. abstraction. Experimental video artist Max Hattler utilises distorted urban imagery and neon glare to create this entrancing short

Tyngsboro(en)

During his visit to a graveyard, a young man is suddenly projected into a dream-like realm. Empty and removed from time, the familiar landscape forces him to confront certain pains when blood suddenly effuses from his hands.

As You Are(en)

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

The Deep Web(en)

Knight explores the millions of layers that make up the internet and its resultant complexity. He sought to create a sense of 'things within things and layers within layers,' nodding to the multiple portals one has to navigate and find to enter the deep web.

Atlantis(en)

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

High Voltage(en)

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

EGGspression(xx)

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

Amelia 2.0(en)

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

Ten Lives of a Cat: A Film about Chris Marker(en)

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Heavy is the Head(en)

Heavy is the Head is a short experimental film that navigates the journey of a Black boy coming of age in America. The story is an exploration of identity and the expectations that weigh on a boy learning to navigate a world that often sees him before he truly sees himself.