
Excretapolitics
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0.0Stop The Tour(en)
Stop The Tour discovers the extraordinary story of how sport helped bring an end to Apartheid which paved the way towards the multi racial 2019 Springbok champions.
7.5Africa Rising(de)
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
0.0End of Dialogue(zu)
The first film to ever show what life was in South-Africa under the Apartheid state. The film was released as an anonymous production under the aegis of the Pan Africanist Congress in 1970.
8.0Gaza Fights for Freedom(en)
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.
5.3Health for the Americas: Cleanliness Brings Health(en)
The comparison of two rural families to demonstrate the need for proper hygiene and the consequences of its neglect.
6.8The 16th Man(en)
Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.
0.0A Town Without Flies(ja)
A teaching film for social studies, which was developed as a new educational subject in 1947. At an elementary school in Hokkaido, children have started a fly extermination campaign to improve school hygiene. In order to eliminate the causes of flies, the entire town is working to improve the sanitary environment. The short was filmed with the cooperation of Mizukaido Elementary School in Joso City and is the first film in the "Social Studies Teaching Film System" by Iwanami Film Productions.
0.0The Glow of White Women(en)
Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)
6.4Amandla! A Revolution in Four-Part Harmony(en)
The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.
0.0A Question of Madness: The Furiousus(en)
In Capetown, South Africa, in September 1966, Prime Minister Hendrik Verwoerd, the architect of apartheid, was stabbed to death in Parliament. The course of South African history was changed by the assassin, Dimitri Tsafendas, who was written off as mad and condemned to twenty-eight years of imprisonment. A Question of Madness tells the extraordinary human story of a man, born of a black mother, but classified white, who travelled the world in hopeless search of sanctuary - eventually returning to the land of apartheid to wreak vengeance on the one who symbolized the racism which had haunted his life.
Death in Geneva - The Poisoning of Félix Moumié(fr)
Felix Moumié was a rebel leader in Cameroon. He was poisoned by thallium in October, 1960 in Geneva. After nearly fifty years, no one has been charged with his death, though many suspect the French and Swiss governments played a part in his death.
0.0I'm Khoisan, not Coloured(en)
During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,
Stayin' Alive in Jo'burg(en)
A fascinating documentary about Johannesburg. It is one of the most violent cities in the world yet the filmmakers bravely probe into some of the most depraved areas of the city that few would have the courage to venture into. This gives fascinating insight as to how Johanneburg has evolved since the end of apartheid and look at the impact the preparation for the FIFA World Cup in 2010 is having on the residents surrounding the stadiums.
0.0Glasgow, Love and Apartheid(en)
In the year of Nelson Mandela’s centenary, Glasgow, Love and Apartheid is the story of one family’s fight against apartheid from Scotland and South Africa. Director, Dhivya Kate Chetty, follows her parents – a mixed, and once ‘illegal’, couple – on a trip back to South Africa where the family stories begin to unfold – protests, an uncle in jail, an ANC arms cache, a doctor on the run and a surprise connection with Mandela in hiding.
4.7The Great Wall(de)
‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.
6.0Addicted to Solitude(en)
I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.
10.0The Man Who Drove with Mandela(en)
During the time of apartheid Nelson Mandela drove around South Africa in a limousine disguised as a chauffeur while organizing the armed struggle against the apartheid regime. But who was the distinguished looking white man sitting in the back seat? Meet Cecil Williams, an acclaimed gay white theatre director and communist.
6.6The State Against Mandela and the Others(fr)
South Africa, July 11th, 1963. Several members of the African National Congress, an organization declared illegal, are arrested in Rivonia, a country house near Johannesburg. The detainees, along with Nelson Mandela, imprisoned since 1962, are charged with serious crimes for their radical activism against the apartheid regime.
0.0Death of Apartheid(en)
The secret history of the negotiations that led to Mandela's release from prison, the ANC becoming the government of South Africa, and the end of apartheid.
6.5A Matter of Life and Death: History of Hygiene(de)
Hygienic habits are as old as the various human civilizations; but each era establishes its own customs: whether private or public, everywhere and at all times, methods of personal cleanliness have depended on cultural conventions, religious morals, political ideologies and economic interests; because the control of basic hygiene has also been and is one more tool in the infinite exercise of power over the masses.
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