Modern Heroes Modern Slaves

Pakisabi(tl)

At the height of the COVID-19 pandemic in the Philippines, amidst the rising number of cases, two families remember their loved ones as more than a statistic.

Hearts of Darkness: A Filmmaker's Apocalypse(en)

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Carlos Sainz: The Operator(es)

The Green Guerillas: The Fight For The Philippines Rain Forest(en)

Filmed in a village of the indigenous Mandaya people, located in a mountainous area of southeastern Mindanao, the country's second largest island, the documentary portrays the struggle of the Communist Party of the Philippines and its armed wing, the New People's Army, for the rights of indigenous Filipino peoples and the environment, which are constantly under threat from landowners, large logging companies and agribusiness.

Angpao, diskarteng Badjao(en)

The story explores the life of three Badjao brothers, Diether, Rakmel, and Agi, who beg on jeepneys. This documentary captures the difficult realities the siblings face every day in the bustling streets of Manila, where they are often unnoticed and ignored by society. By speaking out and supporting initiatives to alleviate inequity, Angpao, diskarteng Badjao encourages viewers to acknowledge these problems and take action.

Bontok, Rapeless(tl)

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

Shirkers(en)

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

Appointment in Tokyo(en)

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

Women Of Malolos(en)

A musical docudrama about the brave and outstanding Women of Malolos to whom Jose Rizal addressed his famous letter in Feb 22, 1898.

Singapore GaGa(zh)

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

Jeepney(en)

JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.

Call Her Ganda(en)

When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.

Machete Maidens Unleashed!(en)

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Appointment at Mount Manunggal(en)

This documentary paints the life of former Philippine President Ramon Magsaysay (1953-1957), from being a simple mechanic, a wartime guerilla leader, and as president of the Philippines, leading up to his death in a plane crash in Mount Manunggal, Cebu.

A Bad Name(tl)

Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”

Cuba, 1898: la caída del Imperio español(es)

A brief account of the Spanish-American War (1898) and the end of the Spanish Empire in the Caribbean Sea and the Pacific Ocean.

Kid Kulafu(en)

Before he became one of the world's greatest boxers, Emmanuel "Manny" Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion - for himself, his family, and his country.

Salamat sa Alaala(tl)

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.

We Were the Scenery(vi)

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

The Pirates of Buban(ja)

By going to the Philippines, Imamura comes to meet people living in an extreme poverty. He discovers very quickly that some communities are under the control of cruel & armed pirates. Imamura will come to meet those men in order to understand their position.