LALGAM - portraits of survival
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Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.
The hidden fire(es)
Silence always surrounds the mine, first when it explodes and then when it eternally haunts its victims. The history of the silence of this fire hidden by Morocco in the sand of Western Sahara has left more than 4,000 victims in what is considered the largest minefield in the world. Daha and Fatimetu suffered the effect of the silence of the mines, their lives changed forever, like that of the Saharawi people who, after 14 years cleaning the desert of artifacts, the rupture of the ceasefire have left the future of the contamination of their territory.
Thaidina, music in the desert(es)
A documentary that shows the current state of territorial limbo in which the Sahrawi people live through the gaze of those who arrive and leave, those who resist, of the occupiers and the occupieds; a multifaceted view of what is behind the facts.
School desks in the desert(es)
A nine-year old girl, Naha, who in day-to-day life studies primary education en Wilaya de Smara is the point of departure for this documentary. Through the her family life, teachers, those responsible for Sahrawi education and NGOS, we understand the education system in the camps causing us to be in awe of the patience of the Sahrawi people, refugees for 35 years, holding out hope for a definitive solution to the conflict. This documentary intends to introduce the viewer to the situation of the Sahrawi people in the camps through one of the most basic needs for the development of a community: chidren's education. Education in the Sahrawi refugee camps is supported by women being those that develop and strengthen the task of educating in schools.
The mirror bird(es)
Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.
The people of the waves(es)
I am a girl of the waves, from a village of seafarers. Some days, I go out with my boat to the sea. But I don’t go alone. Maoimouna comes with me.
A plant in the desert(es)
A photography workshop in the Sahrawi refugee camps shows the situation of uprooted people through their own eyes. At the same time, the direc- tor tries to reestablish contact with her little sister from a Sahrawi foster care, also affected by the in- vasion of her land.
Sahrawi, welcome(ar)
"We used to travel trough Sahara in quest for clouds. We did not depend on no airplanes, nor cars, just on our camels” Sahrawi grandpas recall today. Since 1975 Sahrawi people live in refugee camps, surviving the desert, fighting for its independence. This documentary is witness of the birth of two Sahrawi girls, of the love that their families celebrate at their birth and at the same time is witness of their heritage of fight to recover their freedom.
Three territories: a landscape, a nation, a right(ar)
Documentary that explains the current climate of political turmoil in the north of Africa caused by the embedded problem of the decolonization of Western Sahara. A region on the brink of war. The responsibility of Western governments and social media, especially France and Spain, whose foreign policy based on economic interests puts on the background moral principles. In the case of Spain also its responsibilities as administrator of the territory which has triggered a situation of chaos and violence. The film describes the current situation of Western Sahara in its three conflict zones, presents its protagonists and denounces the informative silence condemning the Saharawi people to the oblivion.
Sirocco: Winds of resistance(en)
Drawing from the inspiration of their grandmothers, singer Aziza Brahim and activist Senia Abderhaman wrestle for the independence of their people from a brutal and corporate backed Moroccan regime using culturally derived methods of music, poetry, and nonviolent resistance.
Nollywood, Smara(es)
Smara is the city of dust, kingdom of sirocco, a surviving ruin of a suffocating region… Thousands of Sahrawis who fled Western Sahara after the war against Morocco (36 years ago) live in this refugee camp, located in the Sahara’s inhospitable north, in the middle of the Algerian hamada. They live here, under poor human conditions, thanks to international help. A small film cooperative fights, with barely any means, to elevate the voices of young Saharawis. It is one of the many Nollywoods (Hollywood of emptiness) found in Africa.
Mektub(es)
Mektub portrays a day in the life in the Sahrawi refugee camps, along with the declarations of some of its protagonists. But behind this seemingly calm life hides a common fight, which is to continue fighting and protesting to accomplish the single common goal that all Sahrawis have as a nation: to take back the occupied land, rebuild their country, and reunite with their families.
Land of mines(ar)
Western Sahara is a conflict region located in North West Africa. After a bloody war in the region, the land is littered with landmines and war ruminants and explosives. There are about 7 to 10 million landmines still buried there, especially in the area close to the wall built by Morocco and which separates Western Sahara into two. Landmines in the area have a huge impact on life in general; human casualties, cattle and irreversible environmental catastrophes.
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