What We Owe to Ourselves
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Blindfold is a 1928 American synchronized sound drama film directed by Charles Klein and written by Ewart Adamson, Robert Horwood and William Kernell. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
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In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
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Reared by an abusive, pill-popping mother and an absentee playboy father, six-year-old Valentina must fend for herself. She does what she can to craft the illusion of normalcy: makes herself lunches that look just like the ones her classmates tote, dresses and grooms herself expertly, and lies to cover up for her mother Anita's erratic behavior.
Goodbye, Francesca!(de)
To Take A Wife(he)
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
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Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
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