Falconry
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First Ascent / Last Ascent(en)
Best friends Hazel Findlay and Maddy Cope journey to the rocky outer reaches of Mongolia, on a quixotic search for new trad routes.
Eagle Boy(en)
A fearless horse bonds two men to each other and to the traditions that define their community.
The Story of the Weeping Camel(mn)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
HAND. LINE. COD.(en)
In the coldest waters surrounding Newfoundland's rugged Fogo Island, "people of the fish"—traditional fishers—catch cod live by hand, one at a time, by hook and line. After a 20-year moratorium on North Atlantic cod, the stocks are returning. These fishers are leading a revolution in sustainability, taking their premium product directly to the commercial market for the first time. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that's making a comeback.
Sachem(es)
Through the memories of former scouts, the short film explores the mystical traditions that shaped their experiences, from the magic that captivated them in childhood to the tensions and questions that arose over time. A reflective look at the relationship between customs, identity, and generational change.
The Revenants(de)
The filmmaker travels to the mysterious land of the “poor souls.” He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.
Heartbeat of a Nation(en)
A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.
Barsham Faire(xx)
In the 70s, Barsham Faire on August Bank Holiday became a tradition for many to celebrate things 'medieval' and raise funds for local arts events. It put Barsham on the map.
The Bounty Hunter of Mongolia(fr)
In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.
Khaïma(ar)
Dream of the Wild Horses(fr)
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Nomad Meets the City(en)
Currently Mongolia’s capital has 1.5 million inhabitants - half the population of the country. 50-year Tumurbaatar is only one of many coming to the city to fulfil their dreams of a better life.
Liberty in a Soup(en)
Every New Year, and in celebration of their Independence, Haitian families gather together to feast in honor of a line of ancestors that fought for their freedom. The centerpiece of the festivity is the joumou soup—a traditional soup dating back centuries ago. The joumou soup is a concretization of war and victory, oppression and emancipation, and the deeply rooted celebratory traditions of the Haitian culture.
Old Norse Vikings Festival(xx)
Viking chieftains, flaming torches and outlandish costumes liven up a dark January day in Lerwick, Shetland, as the townsfolk celebrate 'Up Helly Aa'.
Postcard (Or, from afar, you are a mirage)(es)
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
