Spooners
Top 10 Billed Cast
Lorenzo
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The Chimp(en)
Stan and Ollie play bumbling circus performers who inadvertently drive the circus into bankruptcy. The circus can't pay them their wages so they are given a gorilla and a flea circus as payment. Bedlam ensues.
County Hospital(en)
Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.
Dirty Work(en)
Stan and Ollie are chimney sweeps working at the home of mad scientist Professor Noodle.
Below Zero(en)
Street musicians Stan and Ollie have no success earning money in the dead of winter in a bad neighborhood. Their instruments are destroyed in an argument with a woman, but their luck seems to turn when Stan finds a wallet.
Blackfly(en)
A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.
Be Big!(en)
Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".
Big Business(en)
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
Time Piece(en)
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
Your Studio and You(en)
A parody of 1950s corporate/industrial films, commissioned by Universal Pictures executives after the studio's purchase by Seagrams, and featuring cameos by many stars and directors.
The God(ru)
The film shows Shiva in a very traditional representation--in bronze and standing within a circle of bronze flames. Suddenly, a fly lands on Shiva's arm--one of many arms to be exact. Slowly, the bronze statue comes alive and swats the fly--missing again and again and eventually smashing the bronze circle.
Liberty(en)
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
On the Loose(en)
Two young women, Zasu and Thelma, complain that all of their dates take them to Coney Island. The next day a car goes by and they are splashed with mud. The driver stops and offers to buy them some new clothes. They accept the offer and later agree to go on a date.
Perfect Day(en)
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.
Should Married Men Go Home?(en)
Mrs. Hardy throws Ollie and Stan out of the house. They try to impress two young ladies at a golf course and end up fighting with other golfers.
Screening Party(en)
When journalist Dennis gets assigned to write about Pretty Woman for Marquee magazine's “Hooray for Hollywood Hookers” issue, he invites five friends over to screen, celebrate and skewer the modern-day Cinderella story. The partiers include his roommate Tony, a burnt-out cruise ship crooner who's desperately looking for a new gig on land; Lauren, a relationship-challenged aspiring stand-up comic; Marcos, a sweet-natured attorney who never met a tangent he couldn't go off on; Ross, an Opera-loving video clerk with multiple tattoos and arsenal of movie fun facts at the ready; and Dr. Beverly Beaverman, the shrink next door who finds Freudian psychological meanings in everything she sees. Together, they do their best to make sense of the 1990 Richard Gere-Julia Roberts romantic comedy classic while discovering that the movie's themes—sex, money, sex for money—resonate in their lives in ways both ridiculous and profound.
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