Fårö Document

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Ingmar Bergman
Ingmar Bergman

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Gotska Sandön
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Gotska Sandön(sv)

1987-06-27

A poetic documentary of its nature and of some rare people living on Gotska Sandön, an isolated island in the Baltic Sea, close to Ingmar Bergman’s home residence Fårö.

Bergman: A Year in a Life
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The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Bergman's Ghosts
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Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

Ingmar Bergman in Iceland
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Ingmar Bergman in Iceland(is)

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Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.

Gunnel Lindblom: Ut ur tystnaden
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The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.

The Dance of the Damned Women
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The Dance of the Damned Women(sv)

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This short dance film presents four women moving within a narrow, enclosed room to music by Claudio Monteverdi. Conceived as a dance play rather than a ballet, the performers embody recurring female roles passed down across generations, including figures identified as damned souls, death, and a child compelled into the same patterns.

Ingmar Bergman Through the Choreographer's Eye
0%

Ingmar Bergman Through the Choreographer's Eye(en)

2016-11-14

Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.

Trespassing Bergman
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Trespassing Bergman(en)

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In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

Living Images
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Language is like memory. If it is not used, it slowly fades. Stockholm is not like Zagreb, but it is like any capital city. I was there when it happened, without having time to say 'thank you' for everything. The book is excellent, each chapter is like Andersson's tableau – a separate whole in which over time you notice the thoughtful layers of tragicomic human life.

Ingmar Bergman: Intermezzo
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Ingmar Bergman: Intermezzo(sv)

2002-01-25

Ingmar Bergman speaks with Gunnar Bergdahl.

Mirrors of Bergman
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Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Di sma undar jårdi spejlar och berättar
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Documentary about the Swedish band Di sma undar jårdi mixed with recordings from one of their shows.

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Limbus(en)

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As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

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Bergman Island
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An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

Blue Sea
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Blue Sea(sv)

1956-01-30

Lieutenants Johnny Waller and Ingvar Lund have been appointed captains of two torpedo boats.

Happy End
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1999-09-10

Happy End is a story about Lukas, a self-absorbed young man adrift who meets Marja, an experienced, older woman. Lukas dreams of becoming a rock star. He escapes the city to his father's holiday flat in Visby, a town on the Baltic island of Gotland. But the flat has been rented out to Marja, an eccentric 69-year-old writer determined to complete her memoirs. Nothing can hold her back, least of all a confused dreamer. Much against their will, a friendship slowly develops. But Marja harbors a secret, and when the truth emerges their friendship is put to the test. Their stay on Gotland takes an unexpected turn...

The Dove
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The Dove(en)

1968-12-31

De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

Untitled (Without Sound)
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2025-03-11

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

No Days-off For Death
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No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.

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