
Le Clandestin
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Architect Mark Wallace and his wife, Joanna, travel to France to meet with an affluent client. While there, they reflect on their first decade of marriage -- memories of when they first met, of courtship, and of road trips through the French countryside. As flirtation and playful quarreling turn to boredom with the banality of married life, the Wallaces struggle to rekindle their passion, while mutual infidelity threatens to tear them apart.
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Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.
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0.0La Corniche d'Amour(fr)
Two rich tourists, a photographer and a painter, meet during a walk in Kabylia. Their wanderings are an opportunity to highlight the many tourist and picturesque places on the Algerian coast. This film commissioned by the Defense Communication and Audiovisual Production Establishment (ECPAD), attempts to sell a tourist destination when Algeria was in flames with the outbreak of the Algerian national liberation war. Filmed with the colonial lens of the time, the natives are only one element of a picturesque setting, and the final kiss between a French woman and an Arab man is an attempt to demonstrate a pacified country. Despite everything, the film constitutes a precious archive for Béjaïa, which is the subject for the first time of a film which immortalizes a moment in its history, and to introduce the work of Tahar Hannache, actor, cinematographer and director, one of the pioneers of Algerian cinema.
5.0A Son of the Sahara(en)
As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.
10.0Boualem Zid El Goudam(ar)
Two travelers, Boualem and Sekfali, cross the hostile and endless desert. Boualem pulls a cart on which old books, pictures, relics and memories of Sekfali are piled up. Two men, two attitudes towards life, two visions of the world. Where do they come from, where are they going? The journey would be completely calm and happy if each of them were not inhabited by their pasts, determining their different visions of the future. Boualem's childhood was marked by the Algerian war of liberation. His dream is to achieve a socialist society, which is for him the only path to salvation. Sekfali, who tries to dissuade Boualem from continuing the journey, has the attitude of an aristocrat. For him, socialism is a heresy and people do not like responsibility, they only act if a leader gives them the injunction.
7.0The Road(en)
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones and, when the snow falls, it is gray. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
8.0Divine Comedy(fa)
Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.
5.4Teenage Hitchhikers(en)
Three girls go on the road and run into trouble with the people who give them rides.
10.0Oversand(fr)
Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.
8.5Deux Femmes(ar)
An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.
6.6Nothing to Lose(en)
Advertising executive Nick Beame learns that his wife is sleeping with his employer. In a state of despair, he encounters a bumbling thief whose attempted carjacking goes awry when Nick takes him on an involuntary joyride. Soon the betrayed businessman and the incompetent crook strike up a partnership and develop a robbery-revenge scheme. But it turns out that some other criminals in the area don't appreciate the competition.
10.0The Cork(ar)
On his return to Algeria, Belkacem Hadjadj, a young graduate of INSAS in Brussels, joined Algerian television and signed "Le Bouchon", his first feature in the register of an Italian comedy, around the misadventures of a tenant experiencing a water leak.
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