
Nico: In Memoriam
Top 3 Billed Cast
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A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min
8.3Night and Fog(fr)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
8.2When Darkness Came: The Making of 'The Mist'(en)
Behind the scenes documentary on the making of the film.
0.0Little Dickie(en)
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
0.0Billboard Classics May J. Premium Concert 2017 ~Me, Myself & Orchestra~(ja)
May's live concert film for Billboard Classics Premium concert 2017 ~Me, Myself, & Orchestra~ performed on November 5, 2017 at Tokyo Bunka Kaikan Dai Hall in front of a live Orhcestra.
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Ayumi Hamasaki's Just the beginning -20- TOUR 2017 held at Osaka-Jo Hall on July 17, 2017.
6.7Paparazzi(fr)
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
6.8Le Clitoris(fr)
Women are lucky, they get to have the only organ in the human body dedicated exclusively for pleasure: the clitoris! In this humorous and instructive animated documentary, find out its unrecognized anatomy and its unknown herstory.
7.7Brasilia, Contradictions of a New City(pt)
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
0.0Being Seen(en)
A group of African American students at the University of Arizona reveals the importance of political spaces within Universities in times of intolerance.
2.0Just My Imagination(en)
A woman lives a normal, peaceful life in a small town until the day when a famous rock star who went to college with her quotes and cites her in one of his songs.
7.0Searching for Bong(ko)
Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...
0.0She Sings for the World(zh)
A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.
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The Screen Writer(en)
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0.0Alcoholism and Its Consequences(ru)
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
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