
Eye of the Storm
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In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.
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“I laugh out of life’s void” Korea’s very first hippie, Han Dae Soo, bursts out a laughter. Some musicians talk about love or hope, Han Dae Soo’s music roots in pain. His songs are about freedom even in the most oppressive circumstances. He prepares to release his last album in 2020. A master’s recording session is full of improvisation and energy. As a man of over 70 years old, his voice has gotten deeper and stronger with age. His is a husband and a father and a human dwelling upon the possibility of death approaching. As a youngster he exerted sharp criticism towards society, but on his last album it leans more towards reflection and regret rather than anger. Han Dae Soo tells us his last story strolling through the streets of Manhattan and Namdaemun. The aged hippie’s laughter still resonates with joy.
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Ninja is famous around the world for her fierce ballroom performances, but she is not as well-known in her native country of French Guyana. But a trip home to teach a workshop might change that.
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7.3Salam(fr)
In the French music world, the beginning of the 2000s was marked by the arrival of a young rapper, Diam's. Over the course of three albums, she has become a phenomenon in France, as well as in many countries around the world. Diam's has won some of the most prestigious awards in French music, graced the covers of countless magazines, and sold millions of records. However, in 2010, at the height of her fame, Diam's made a life choice that shocked the French: she converted to Islam. How did a tortured and suicidal artist find her way to peace? For the first time Diam's, known to her family as Mélanie, tells us the real story.
8.0Bernard Blier, façon puzzle(fr)
In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.
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