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Meteor(es)
A mysterious rumble splits the sky and reverberates in the middle of the forest. A man delves into its depths to discover its origin and answer the questions presented by the universe.
We've Been Around(en)
In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.
On Lavender(el)
A documentary that is a deep exploration of gender identity within the context of Greek society, providing a multi-layered narrative that reflects the experiences of individuals navigating the complexities of gender in a culture where these topics are still emerging. Over four years, the filmmakers captured intimate stories of people confronting their gender identities, revealing how personal, societal, and familial expectations shape their journeys. The documentary aims to challenge the traditional norms of gender and to give voice to those whose experiences are often marginalized. It marks a significant step in Greece’s cinematic exploration of LGBTQ+ themes and is a pivotal contribution to the global conversation on gender identity.
The Princess and the Peacock(en)
Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?
THIS IS WHAT TRANS PUNK LOOKS LIKE(en)
"This Is What Trans Punk Looks Like" is a documentary about the transgender punk culture in Texas and the beauty of community. It features several interviews with trans individuals within the scene, talking about their childhood experiences, Texas' political climate, and what punk means to them.
Connection | Isolation(en)
Connection | Isolation presents eight intimate portraits of trans and post-gender individuals navigating the challenges of the COVID-19 pandemic. Amidst moments of connection and isolation, these participants reveal a deepening awareness of gender, their bodies, and trans community. Created by an all trans and queer crew, this hybrid documentary film interlaces portraits with reenactments, integrating archival material documenting what so many experienced and many still do.
Safe Space(en)
Following the lives of Queer creatives behind Norwich’s queer collaborative ‘Stripped Sets’. We discover the reasoning behind the need for safe spaces, and the stories that come with them. Through live events, photoshoots and history, we see the process in creating such an important event.
How I Learned to Love the Numbers(de)
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
The Devil's Trap(en)
A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.
Imagine… Pet Shop Boys: Then and Now(en)
Featuring exclusive access to their recent tour and their new album, this documentary reveals the fascinating world of Pet Shop Boys, Neil Tennant and Chris Lowe.
All this Roughness(es)
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
Bill & Daisy(en)
after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.
Tomatoes(en)
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
Faces of Death II(en)
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
Mother Saigon(vi)
In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
Legendary(en)
An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.
Raja Bro(hi)
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.