Vladimir Propp- Profumo di lupo(1975)

Pan(en)

A tactile exploration of the inherent duality of violence and sensuality in nature.

Last Room(fr)

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

Beautiful People(en)

A Documentary film, following a group of friends going through their college life. with 3 months of filming starting in August 25th to November 1st 2024. most of everything was filmed in Boston. the purpose of the movie isn't to look amazing and have great story telling, but instead its meant to stamp a period in time. so that in 50 years we can look back and notice the human growth in a movie format. I hope you like the movie and thank you for watching :)

Ventana en Carrer de Badajoz(es)

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.

Tree Limbs(en)

A homogeneous structure of wind and light across tree branches in the South region of Isère

Adagio(en)

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

The Beaches of Agnès(fr)

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Éramos Livres(pt)

Five inmates recite poetry while time keeps passing by.

looking backward to look forward(en)

An attempt at understanding why Shico makes movies.

Mi pesadilla fue que me mataba la guerrilla(es)

Man Painting(es)

The painter Alfredo Romero locks himself in his studio-apartment in the Estación de Francia neighborhood in Mollet del Vallès (Barcelona) to create the final painting of his series Paisajes interiores (Inner Landscapes). The director of this film does the same, but to create his own work about the painter's creative process. Premiered at Documenta Madrid in 2009.

Eautopsie(en)

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Blue(en)

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Godard by Godard(fr)

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Shapeless Tracking(es)

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Congregation(xx)

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.

Wounded Edges(de)

In July 2022, a forest fire broke out on Monte Gambarogno in Ticino, Switzerland. Wound Edges is my emotional response to this landscape, filmed on 16mm and hand-developed with the forest’s ashes. Each frame carries physical traces of the land’s memory, blending destruction with resilience. The soundscape—field recordings, burned wood, contact microphones on trees, and the presence of fire—echoes the forest’s wounds. A reflection on human impact, impermanence, and the haunting beauty of transformation.

À l'horizon des événements(fr)

Gare du Nord station. Everything goes so fast. Except this train, which is already disappearing...

It's Not Me(fr)

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

Nevermore Eleanor(en)

Nevermore Eleanor (2024) | 2160p