
Do you need children, careers and partners to feel happy? The filmmaker Lotta Stemme has for five years documented both her own and three of her friends' griefs in the middle of their lives. Lotta tries to catch up with everything. Catherine chose to break up and move away from her children. Linda may not be able to have children and Marika opted out of her career and has invested everything in being a mother.



Do you need children, careers and partners to feel happy? The filmmaker Lotta Stemme has for five years documented both her own and three of her friends' griefs in the middle of their lives. Lotta tries to catch up with everything. Catherine chose to break up and move away from her children. Linda may not be able to have children and Marika opted out of her career and has invested everything in being a mother.
2013-05-02
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5.0An exclusive interview with Death as he goes about his everyday business.
0.018 seniors living in retirement homes get the chance to go on a holiday to Greece. In addition to old age, many suffer from diseases such as dementia, cancer and permanent lung disease, but with the help of their companions and Dimitrios "Tackis" Sahpekidis, they get to realize their dreams. In Greece, they are allowed to eat melon on the beach, dance the zorba, drink retzina on the balcony until late at night and swim in the Mediterranean. The motto is that there are no obstacles and that life should be lived all out, until the end.
0.0A short philosophical satire that wanders between the absurd and the profound. From a silent bed stare to a prophetic lentil, Cryptex explores the rituals of modern existentialism — one cup of coffee and one book at a time.
10.0"Fly too high and you will burn, go too low and you won't breathe." A 7 day vlog during the summer of 2023, a story of dreamers and drowners.
8.0Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
7.0Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
9.0In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.
7.0Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.
10.0What is the purpose of our existence ? What is the soul ? Which are the power of mind, of conscience ? What is our link to nature ? Pondering these existential questions, this movie invites us to find out an universal wisdom, meeting shamans, healers, yogis, but also philosophers and doctors. From Mongolia plains to the Amazonian forest, it leads us far than we expected at first.
4.8Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.
8.0One million Dutchmen (out of 16 million) play soccer. Almost two million fish at least once a year. Fishing might be the most remarkable sport in the world. The documentary V.I.S.S.E.N (FISHING) dives into the world of Dutch fish and fishermen. Above and under water, on the IJ, at the coast, on the North Sea, in the cities, in the polder and on and by lakes and rivers. The film is a personal, filmic search for the “primordial fisher” in mankind and a portrait of the Netherlands by and on the water. V.I.S.S.E.N is also about what moves the fishermen. Who are the people that fish? Is fishing a hobby, a sport, an escape or a primordial instinct one cannot repress? What goes through your mind when you fish, when you catch something, or when you do not catch anything. And: what's it like for the fish, getting hooked?
0.0What starts as a desire to experience nature more intimately develops into a relatable conversation on alternative pathways through life. Two friends go on a two-year road trip through Latin America. Presenting an insight into long term travel and how engaging in new cultures and environments can help widen our perspective and deepen our understanding of the world we live in. Pacifico forms a discussion around the pros and cons of living in the moment; Showing how slowing down and observing the world mindfully can aid in gaining perspective and broaden an understanding of what is important in life.
10.0The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
6.5For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
0.0What happens to a person's self when she retires and no longer has the job to lean on? Documentary filmmaker Lars Lennart Forsberg asked that question to about ten retirees but never had the chance to complete his project. Olle Häger and Kjell Tunegård had to take over and let the e-mails exchanged between Lars Lennart Forsberg and Olle Häger become keys to "The Film That Didn't Get Made".
6.0A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.
0.0Observing life, On question of human need for deliverance.
In the cabin the conductor activates the gear lever; his motion breaks the inertia. Behind is the station, then images of the machinery, the resignation of travelers, and the landscape. The events are increasingly bizarre; there is no destination, only the journey as metaphor.
0.0As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.