
A comedy short staring Robert Benchley. He tries to show us how to make our own movies.

Party Guest (uncredited)

A comedy short staring Robert Benchley. He tries to show us how to make our own movies.
1940-02-17
6
6.3Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.
6.5A hypochondriac vacations in the tropics for the fresh air - and finds himself in the middle of a revolution instead.
6.1Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
6.2Buster and a woman are mistakenly married and her initially unfriendly family begins to treat him nicely when they come to believe he has a large inheritance awaiting him.
6.8A young man schemes to drum up business for his girlfriend's employer but after seeing her being intimate with another man, he attempts to commit suicide.
7.8In this unique and dynamic live concert experience, Louis C.K.'s exploration of life after 40 destroys politically correct images of modern life with thoughts we have all had...but would rarely admit to.
6.5By accident, Cedric (Goofy), replaces his master, Sir Loinsteak, in the armor just before the joust with champion Sir Cumference.
6.7Stan and Ollie are musicians attempting to travel by train to Pottsville.
7.3Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.
6.6Stan and Ollie arrive as new inmates at a prison after apparently taking part in a hold-up raid, a raid they tell a prison officer they were only watching. The usual mayhem ensues.
7.6Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
7.4Tom ties up Spike and sneaks into the courtyard of the glamorous Toodles Galore with his bass, hoping to woo her with his song, much to the annoyance of a sleeping Jerry.
6.9Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy isn't an easy task.
6.4An 11-year-old aspiring wrestler enters a competition to become the next WWE superstar by using special powers from a magical mask.
7.7When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
6.6Standup special filmed live at the Palace of Fine Arts in San Francisco.
6.4Out of jail and broke, Julian concocts an outrageously greasy scheme to get rich and, to make it even greasier, he will have to deliver his product to his arch-enemy, Cyrus, who’s waiting in Montreal to close the dirty deal. Meanwhile, Ricky’s dope growing business is under a major threat when the government announces a plan to legalize marijuana. Bubbles reluctantly joins them on his own quest to claim an inheritance left to him by his long-lost parents.
5.9Forky meets Rib Tickles and finds her charming and pleasant, only to be schooled by Rib on the dangers of law enforcement.
6.8Stan and Ollie join the French Foreign Legion after Ollie's sweetheart rejects him.
6.6Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
A charming yet mischievous man who navigates his community by scamming people and borrowing money. Despite his deceitful ways, Mabidi tries to maintain a semblance of normalcy at home, where he faces his no-nonsense wife, Maria.
7.1Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.
7.0With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
0.0A charming young boy on a quest of greatness provides hope by teaching those in need, how to do a backflip.
6.7José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.
0.0An home movie documentary about a young man with a camera who tries to recount and reframe a pivotal moment in his childhood: the death of his mother. An intimate and personal story about what remains of that mother-son relationship, now marked by an unbridgeable distance and an absence with which it is necessary to come to terms.
7.3Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.
0.0In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
0.0A diary film built from home movies shot by a father in Sardinia during the 1950s and ’60s, capturing playful and affectionate family moments before his early death. Paired with Kafka’s “Letter to His Father,” the film reflects on absence, memory, and the filmmaker’s own father, exploring how those lost continue to live through the images we watch.
0.0Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
1°. Nel porto di Genova, Veliero ("1. In the Port of Genoa, Sailing Ship") is a 1928 silent amateur film by Guglielmo Baldassini, preserved as a 2K DCP from a 9.5mm reversal print without intertitles. Held by Fondazione Home Movies in Bologna, the film shows a sailing ship entering Genoa’s port, likely shot from a small boat. Baldassini, a Milanese painter and etcher, used the Pathé Baby format to capture landscapes and seascapes, often as references for his artwork. His archive includes 95 reels filmed between 1926 and the early 1930s, focusing on family, Milan, coastal scenes, and mountains. He developed his films at home, experimenting with tinting, toning, and exposure correction. Many reels show emulsion decay due to aging and chemical treatments. Notes by Michele Manzolini and Mirco Santi appear in the 44th Pordenone Silent Film Festival catalogue.
0.0Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.
6.7Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
5.5Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
0.0A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.
A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.
A silent amateur film with a runtime of 1 minute and 28 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a game of tug-of-war on the beach at Lavagna during the summer of 1925. A group of young participants, dressed in bathing suits, engage in the activity while a dog observes from the sidelines. The footage is notable for its stable tripod-based composition and the use of horizontal camera movement to follow the action. At age 16, Lavello demonstrates early technical proficiency and an interest in capturing spontaneous social interaction. As noted by Michele Manzolini in the 2025 Pordenone Silent Film Festival catalogue, the film contributes to a broader visual record of leisure and informal play within early amateur cinema.
4.0Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.