
In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.

Pylade
Thoas
Diane

In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.
2016-12-02
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Christoph Willibald Gluck's opera live at the Palais Garnier, Paris on December 2nd, 2016
6.1Aissa, a young officer of Algerian origin, tragically loses his life during a fresher initiation ritual at the prestigious French military academy of Saint-Cyr. As the death tears through his family, controversy arises over Aissa’s funeral plans when the Army refuses to take responsibility. Ismael, his older, rebellious brother, tries to keep the family united as they fight to win justice for Aissa.
6.2After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
7.2Lebanon, 1982. To keep a promise made to an old friend, Georges, an idealistic theater director, travels to Beirut for a project as utopian as it is risky: to stage the play Antigone on the front line, in order to steal a moment of peace from the raging civil war. The characters will be played by actors from different political and religious camps. Lost in a city and a conflict he knows nothing about, Georges is guided by Marwan. As fighting resumes, everything is soon called into question, and Georges, who falls in love with Imane, has to face up to the reality of war.
6.8Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.
6.3Clémence, the fearless mayor of a town near Paris, is completing the final term of her political career. With her faithful right-hand man Yazid, she has long fought for this town plagued by inequality, unemployment and slumlords. However, when Clémence is approached to become Minister, her ambition arises, questioning her devotion and commitment to her citizens. Will her political integrity and election promises survive her newly found ambition?
6.6From beyond the grave, celebrated playwright Antoine d'Anthac gathers all his friends who have appeared over the years in his play 'Eurydice'. These actors watch a recording performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun...
5.8Josephine and Iris, sisters with opposite personalities, have their relationship radically transformed while working on a book.
6.2While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
7.1Carla Zachanassian had a child by Serge Miller as a teenager. When Serge refused to marry her, she was driven out of town. By her own wit and cunning, she has returned as a multi-millionaire for a visit. The town lays out the red carpet expecting big things from Carla, only to learn that her sole purpose is to see Serge Miller killed...
7.0Roméo and Juliette are two young actors. They fall in love at first sight, move in together and make a baby. A love story and the founding of a home like millions of others. Except that their little boy, Adam, behaves abnormally. The young parents try hard to persuade themselves that everything is okay but, with the passing of time, they cannot delude themselves anymore: their son has a problem. From now on, war is declared. A war against illness. A war against Death. A war against despair.
6.1A star is born in a time of both celebration and instability in this historical drama with music from director Christophe Barratier. In the spring of 1936, Paris is in a state of uncertainty; while the rise of the Third Reich in Germany worries many, a leftist union-oriented candidate, Léon Blum, has been voted into power, and organized labor is feeling its new power by standing up to management.
6.7In the summer of 1991 an elderly woman Ghislaine Marchal is found murdered in the basement of her home with the message "Omar M'a Tuer" (Omar has kill me) written beside in her own blood. Despite a lack of forensic or DNA evidence, her Moroccan gardener Omar Raddad is found guilty and sentenced to 18 years in a French prison. Shocked by the case, and convinced of his innocence, journalist Pierre-Emmanuel Vaugrenard moves to Nice to investigate, and uncover the truth...
6.6The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
6.3Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
6.1Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.
6.51920. Jean Rezeau and his elder brother were living happily in their family estate in Brittany, until the death of their grandmother. The return of their mother, a worthy descendant of fairytales' witches, brings an all new atmosphere to their home.
5.8Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
6.994-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
6.2A local activist and a budding young mayor clash over the best path forward for their impoverished suburb.
6.0Shiftless dreamer Michael Rogers fantasizes about a lifestyle above his means and marries a wealthy, young girl who just came of age. They hire a famous architect to build their dream home amidst a series of suspicious incidents. The spouse has dark intentions toward his naive, inexperienced bride. Secrets from his past and sinister ties to their house guest Greta lead to a terrible turn of unexpected events.
5.9Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
8.1The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
0.0Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
0.0Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.
0.0Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
8.0In ancient Babylon, SEMIRAMIDE (Anderson) encourages her lover Assur (Ramey) to murder her husband, King Ninus. Her son, Ninius, disappears, believed dead, and Semiramide rules in her own right. 15 years later, as the opera opens, she is about to announce the name of her successor. Idreno (Olsen) and Assur are the leading candidates for the throne and the hand of Princess Azema (Shin), but Semiramide has taken a fancy to young Arsace (Horne), her victorious military leader who has been summoned back to Babylon. Only the high priest Oroe (Cheek) knows that Arsace is actually Ninius, spirited away to safety after the coup. As the queen announces Arsace as her successor, the ghost of her husband appears from his tomb, demanding that Arsace punish the late king’s murderers... Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate dramatic opera brings together what many consider the definitive contemporary cast.
6.1In this musical set in an all-Black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War.
0.0The European premiere of the opera by the contemporary American composer John Adams, with libretto by Peter Sellars, in a co-production of the San Francisco Opera (where the work premiered), the Lyric Opera of Chicago, and De Nederlandse Opera. The plot focuses on the great stress and anxiety experienced by those at Los Alamos while the test of the first atomic bomb (the "Trinity" test) was being prepared.
6.517-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.
7.0The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
An interesting look at love destroyed by the demon of drugs, which uses opera singing instead of spoken word. A story about the relationship of two young people and drug addiction.
5.7An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.
8.0Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
4.4A man with a broken back dies after his wife has an affair with his brother.
8.0This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.
0.0The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
8.0TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.
1.0Gustav Von Aschenbach, a passionate composer, arrives in Venice as a result of wanderlust and there meets a young man by whose beauty he becomes obsessed.
5.0This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.