Zainichi: The Story of Koreans in Postwar Japan(1998)

My Mom Jayne(en)

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Fuck(en)

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

The Class of ‘92(en)

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

Anna Nicole Smith: You Don't Know Me(en)

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

To Be Takei(en)

Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.

Downloaded(en)

A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.

The Curious Birth of Benjamin Button(en)

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

Naqoyqatsi(en)

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A Decade Under the Influence(en)

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

Ex Libris: The New York Public Library(en)

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

More Brains! A Return to the Living Dead(en)

Retrospective documentary about the making of the horror cult classic "The Return of the Living Dead."

Living with Chucky(en)

A filmmaker who grew up alongside Chucky the killer doll seeks out the other families surrounding the Child's Play films as they recount their experiences working on the ongoing franchise and what it means to be a part of the, "Chucky" family.

Listen to Me Marlon(en)

With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon's perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.

Love, Marilyn(en)

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Drew: The Man Behind the Poster(en)

A documentary on legendary movie-poster artist Drew Struzan.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty(en)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Charlie: The Life and Art of Charles Chaplin(en)

Brilliant, long in-the-works story of the life and art of the world's greatest comedian and the cinema's first genius, Charlie Chaplin. Produced, written and directed by renowned film critic Richard Schickel.

A Plastic Ocean(en)

A documentary focused on plastic pollution in the world's oceans.

Gilbert(en)

The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.

John Candy: I Like Me(en)

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

Korean Schools in Japan(ja)

In 1948, after the Japan’s defeat, the General Headquarters and Japanese government ordered that the Chosen gakko, schools for Koreans in Japan,ō be shut down. Koreans in Osaka strongly resisted, and 16-year-old Kim Taeil was even shot and killed by the police. This was the Hanshin Education Incident. 70 years have passed, but the Japanese oppression continues. They've removed the Chosen gakkoō from being eligible for free education. Gaining strength from the growing hatred from the conservatives, the Abe administration is misusing the educational issue as a means to cause political strife. In the midst of ongoing conflicts in Japan, nonfiction writer KO Chanyu has directed Korean Schools in Japan, compiling a history of the Koreans' fight for education.

One for All, All for One(ko)

Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.

Kokuhatsu Zainichi kankokujin seijihan report(ja)

Documentary film about the discrimination against zainichi, directed by Yoshihiko Okamoto.

Ikaino(ko)

‘Ikaino’ refers to a neighborhood in Osaka, Japan, home to a large community of Zainichi Koreans. Though erased from official records over fifty years ago, its name still carries memories and stories.

The Voices of the Silenced(ko)

Director Park Soo-nam, a second-generation Korean resident in Japan who is losing his eyesight, decides to digitally restore 16mm film she shot a long time ago, relying on her daughter Park Ma-eui's eyesight. The blood, tears, and numerous corpses of Koreans living in Japan are clearly engraved in the film filmed over 50 years.

Discrimination(ko)

Since 2013, Japan has implemented the free high school policy. However, only 10 Chongryon Korean high schools are excluded from this policy. The reason is that there are suspicions that the grant for free education will be misused by Chochongryon and others. Five of these schools protested about this measure and filed a claim for damages against the government in 2013. After four years of hearings, the first trial decision was made on July 19, 2017, starting with the case of Hiroshima Chongryon Korean high school.

Soup and Ideology(ko)

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Arirang Rhapsody(ja)

The protagonists of the film are the Zainichi Korean women living in Kawasaki. They were tossed about by the war, and after many trips to and fro across the sea in search of a place to live, they finally arrived in Kawasaki, where they have lived modestly and vigorously.

After Chosun(ko)

Imman Kim wants to reconcile with his parents, who emigrated to Osaka after April 3 Jeju Uprising. Cheolwoong Park has supported his younger sister during his entire life, blaming his father who moved to Tokyo to avoid guilt-by association. Soonam Park has devoted her life to human rights movement for a second-generation Korean-Japanese and her daughter Mayi Park who also lives as a Korean-Japanese. This film tell us about meaning of a nation through their life stories.

Memories Showers Seas(ko)

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

Shiso(ko)

A Japanese herb called 'shiso' looks like a perilla leaf but has a unique fragrance. It's like how I have a Korean name and nationality but still feel a sense of alienation in Korean society. The death of my grandmother, a first-generation Zainichi, raises a question for me: Does death also mark the end of the life of an outsider? In the end, where do we return to?

Our School(ko)

This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.

Reclaiming Our Names(ko)

Matsuda Shunji, a freshman of Amagasaki High School in Osaka faces a difficult decision regarding the revelation of his Korean name, Lee Jun-Chi. The teenager is aware of the difficulties of living in Japan with a Korean name, and so dreads the day when he is supposed to make this decision. He ultimately meets a loneliness whereby we are left to witness the outcome of his dilemma.

Dear Pyongyang(ja)

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

Horoomon(ko)

One woman. One racist lie. One lawsuit that shook Japan. Korean Japanese entrepreneur Shin Sugok takes on major media in this electro-shock legal thriller about refusing to be silenced.

Strangers on the Field(ko)

In April 2013, unfamiliar faces appear at the Jamsil Baseball Stadium during the opening matches between Doosan and SK. The nervous middle-aged men throwing and batting the first ball are, in fact, Korean-Japanese former team members that played on that same spot in the 1982 finals of the Bong-hwang-dae-ki games.

The Hanbok on the Court(ko)

Chang Akio, Fallen leaves in sea(ko)

1983 KBO 30-win legend Chang Myeong-bu and his hidden yakuza brother, Yong-bu. Divided by the mound's light and alley shadows, they fought to survive Zainichi discrimination. Through Yong-bu's eyes, this tragic saga weaves unseen records and KBO archives into a forgotten diaspora's requiem.

Yakiniku ToRaJi(ko)

After graduating from Joseon school, ✕✕ enters a South Korean university. Jihoon meets ✕✕’s family and friends, sharing meals, drinks, and songs together. Through these interactions, he naturally grows closer to ○○, △△, and ◇◇, listening to their memories of Joseon school and their lives in Japan. These exchanges erase the space of everyday life and question the sense of mission imposed in its place: For whom is it really when we label those living ordinary lives with ‘identity’?

I Am From Chosun(ko)

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society.