
This story, set against the backdrop of the Algerian War, could be an oriental tale. The "Nightingale of Kabylia" is the nickname given to old Ahieddine, a poet who lives in a mountain village. Ahieddine receives a visit from a young French officer. What does the officer want? Information, no doubt. The lieutenant, who once studied the Kabyle language, simply wants to visit a renowned poet, speak with him, and hear him recite a poem. Such a visit will be difficult to justify to the men of the maquis. That very evening, Ahieddine is summoned to appear before a tribunal of maquisards. He is condemned to death for treason. Does he have a wish before he dies? Yes, to compose one last poem, the poem of his death. He improvises a poem; the men listen, moved by the words of their own language, which express the poetry of their people. They pardon old Ahieddine and grant him his freedom. Destiny, however, awaited at the bend of a mountain path, the "Nightingale of Kabylia".


This story, set against the backdrop of the Algerian War, could be an oriental tale. The "Nightingale of Kabylia" is the nickname given to old Ahieddine, a poet who lives in a mountain village. Ahieddine receives a visit from a young French officer. What does the officer want? Information, no doubt. The lieutenant, who once studied the Kabyle language, simply wants to visit a renowned poet, speak with him, and hear him recite a poem. Such a visit will be difficult to justify to the men of the maquis. That very evening, Ahieddine is summoned to appear before a tribunal of maquisards. He is condemned to death for treason. Does he have a wish before he dies? Yes, to compose one last poem, the poem of his death. He improvises a poem; the men listen, moved by the words of their own language, which express the poetry of their people. They pardon old Ahieddine and grant him his freedom. Destiny, however, awaited at the bend of a mountain path, the "Nightingale of Kabylia".
1962-06-20
10
6.5Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.
7.7In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.
6.8A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.
7.1The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.
7.0Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...
10.0Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.
10.0A harrowing picture of the heritage of colonialism, focusing on a man driven mad by torture but saved by his wife, who restores his sanity and leads the progressive forces to rebuild the village.
10.0A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.
8.0The film traces the story of a patrol of the Algerian National Liberation Army (ALN), whose mission is to transport a prisoner French soldier to the Tunisian border. Through the march of this group of guerrillas we witness the spirit of sacrifice and combativeness of these men from the people. The patrol will be decimated, but a young peasant will take over and complete the mission.
10.0In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.
10.0The film recounts in three parts by three different directors the Algerian people's struggle for independence after 130 years of French colonization: Ahmed Bedjaoui "Les Fedayines," Rabah Laradji "La Bombe," Sid Ali Mazif "Le Messager."
8.0"Rupture is a look at a complex and little-known period in the recent history of Algeria, that of the thirties, a time when a political conscience was beginning to assert itself. I wanted to understand how and by what miracle, despite the small individual and collective revolts that had failed in the past, the unity of the Algerian people had been forged around the reconquest of independence. The main figures who worked, each in their own way, for this idea, are men who have always lived in the shadows and forgotten. And that's how I tried through this film to pay tribute to all those who gave up everything to dedicate themselves to a cause they considered just". Mohamed Chouikh
10.0In 1955, what was known as the "Algerian War" gradually escalated into all-out war, and the French army inexorably transformed into a soldiery accustomed to colonial humiliation and massacres. Amar is a young deaf and mute man who wants to join the resistance, but he is rejected because of his disability, despite all the training he received from his father, who was an expert in hunting and horses. The raid on his village, which he watches helplessly, drives him to seek revenge, he who had until then been locked away in "The Gates of Silence."
10.0The first fictional feature film produced in Algeria after independence, this film addresses one of the most worrying problems: that of childhood. Children, freedom regained, do not yet know how to play “at peace”, they naturally play “at war”.
10.0A young Arab boy, a teenager "Yaouled", who lives on the streets and scrapes by doing odd jobs: shoe shining, street vending, etc. The film tells the story of a group of yaouleds from the Bab-el-Oued neighborhood, caught in the crossfire between the French settlers on one side and the Algerians on the other during the events of July 1962 in Algeria.
10.0In 1880, in colonized Algeria, it was decided that the Algerian peasants of the Ouarsenis mountains would see their lands dispossessed in favor of the French colonists. Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...
8.3In the city of Guelma, which was once called Heliopolis in ancient times, the daily life of an Algerian family takes its usual course. But on May 8, 1945, the day the end of World War II was announced, demonstrations by the Algerian people against the French colonial power and for the country's independence took place, which were bloodily suppressed by the French army and French settler militias. The event went down in history as the Sétif and Guelma massacre.
10.0Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.
7.5The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.
7.0In 1960, nine-year-old Bachir dreamed of becoming the son of a martyr because he had heard that the children of martyrs would obtain everything after independence. He sets up a whole plan to get rid of a certain François, enemy of his country, while his father, Saddek, abandoned him with his mother and brothers. Through this fiction, the film looks at the life and visions of little Algerians during the War of National Liberation. Karim Traïdia looks back on his own childhood during the Algerian war (1945-1962). On a humorous note, it tells the adventures of a young child and his innocent friends against the backdrop of a raging merciless war.